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Superman: The Movie  (1978)

Richard Donner
Christopher Reeve, Margot Kidder, Marlon Brando, Gene Hackman, Ned Beatty, Valerie Perrine, Jackie Cooper, Glenn Ford
Anamorphic widescreen
Dolby Digital 5.1
DTS
Trailer(s)
Featurette(s)
Documentary
Audio commentary
Deleted scenes
Concept art / storyboards
Quote
Clark Kent (Christoper Reeve): Really, Lois, supposing that man had shot you? Is it worth risking your life over ten dollars, two credit cards, a hairbrush, and a lipstick?
Lois Lane (Margot Kidder): [looking down into her purse] How did you know that?
Clark Kent: Know what?
Lois Lane: You just described the exact contents of my purse.
Clark Kent: Hmm. Lucky guess.

Plot summary
Superman arrives on Earth from the planet Krypton and foils the evil plans of arch criminal Lex Luthor.

Film review
Superman is the kind of foolish, non-sensical, over-the-top, entertaining blockbuster that's almost impossible not to enjoy and can't help but make you wonder how so little can actually happen in such a long movie. Its style is all over the place, shifting gears wildly from earnest religious allegory to small-town melodramatic Americana to sophisticated urban comedy blended with high-octane action dynamics. This makes for a somewhat bumpy ride, but it moves along at such a fast pace that one is rarely bored, and the film is so accomplished at a technical level that even the most tawdry scenes still manage to keep the eye - if not the brain - occupied well enough.

The biggest names in the all-star cast prove to be the biggest disappointments: Brando lumbers through his scenes like an overweight Charlton Heston mumbling pretentiously about the destiny of Superman and mankind, while Gene Hackman, supported by completely inept henchmen, hardly ever seems either truly threatening or very funny as Superman's nemesis Lex Luthor. Other major actors like Trevor Howard and Glenn Ford are thanklessly reduced to window dressing, with no more than a handful of lines between them. The film's lasting attraction comes purely from Reeve, perfectly suited to his effortlessly heroic superhero role as well as his Cary Grant-inspired turn as Clark Kent. There's a sweetness to him that's impossible not to like, and this along with the still-impressive action set pieces continues to make Superman an enjoyable ride to this day.
Version control
First released on DVD as an impressive Special Edition release with solid audio, video and supplements, Superman: The Movie has now been revisited by Warner in an even more exhaustive four-disc set that includes the original theatrical cut of the film along with the longer director's cut from the previous DVD. All the extras from the earlier release have been recycled, with another disc full of extra material thrown in for good measure.

Picture and sound
The anamorphic widescreen image is framed at its original aspect ratio of approx. 2.35:1. Already impressive on its first DVD release several years ago, this new transfer shows further levels of improvement, most likely the result of developments in compression technology. The new transfer is noticeably sharper, more colorful and free of major print damage. The two versions of the film have slightly different color pallettes, with the theatrical version sporting brighter hues and the director's cut a somewhat cooler pallette.
The Dolby Digital 5.1 sound mix for both versions is more a redesign than a restoration job, as many of the audio masters turned out to be irredeemably lost or damaged beyond repair. Many of the sound effects have been redone, and though purists and overly nostalgic fans have argued that this mix doesn't accurately represent the way the film originally sounded, the aggressive surround mix presented here is quite an experience, and is in any case perfectly suited to the film. This new release even includes the original stereo sound mix for the theatrical release as an alternative for the more contemporary-sounding 5.1 mix.

Added value
Disc one holds the original theatrical cut of the film, accompanied by a new audio commentary track from producers Ilya Salkind and Pierre Spengler, who offer their perspective on the notoriously troubled production. The second disc houses the director's cut, which was expanded by the inclusion of eight minutes of previously deleted scenes, which can also be accessed separately. The added scenes don't really add all that much to the film, and they make a movie that was arguably already on the long side a real stretch. The audio commentary track from director Richard Donner and 'creative consultant' (read: 'uncredited screenwriter') Tom Mankiewicz from the previous DVD is repeated here. Their commentary is laid-back, relaxed and jokey, as the two clearly enjoy seeing the movie again after so many years and spotting minor errors and inconsistencies, as well as remarking on many of the amazing technical accomplishments made possible by the work of so many talented crew members. More entertaining than informative, this audio track provides a most enjoyable and often very funny way of re-experiencing the film. John Williams' great score is also available on this disc as an isolated music score track in Dolby Digital 5.0, and I expect more than a few will find themselves relistening to this track just for the impossible-to-forget musical themes (as I did).

The third disc hold the bulk of the extras, which are a direct repeat from the previous DVD release. First and foremost among them is a set of three half-hour documentaries called 'Superman: Taking Flight', 'Filming the Legend' and 'The Magic behind the Cape'. The first two might easily have been combined into a single documentary, as the first charts pre-production and development and the second, derived mostly from the same interview sessions, follows the film's production history. The third documentary is hosted by Superman's optical effects supervisor and reveals how the ground-breaking special effects were achieved. All three documentaries provide outstanding insight into the film's production and include great interview footage as well as numerous tests and behind-the-scene material. Another nice addition is a generous selection of screentest footage featuring Christopher Reeve and several different tests for the roles of Lois Lane and Ursa. Two more deleted scenes are also available, that - thankfully - were not edited back into the film. Also on this side of the disc are unused and alternate music cues, more great stuff from John Williams. The teaser trailer, theatrical trailer and a TV spot are also included. Lots of storyboards and screenplay notes are available as DVD-ROM content.

The fourth disc in this impressive set brings together older Superman-related extras, including the vintage featurette 'The Making of Superman: The Movie', which adds little information to the already comprehensive third disc, but which holds interest for its interviews and behind-the-scenes footage. The hilarious pilot episode for th TV show The Adventures of Superman is also included here, for thos who want a taste of this legendary production. And finally, the best inclusion here is that of the first nine Superman cartoons produced in 1941 and 1942 by the Fleischer brothers. They have been lovingly restored, easily outshining the many public domain releases of these masterpieces of animation.

Dan Hassler-Forest

Reviewed: December 19, 2006

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