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Band of Outsiders (Bande à Part) (1964)

Jean-Luc Godard
Anna Karina, Claude Brasseur, Sami Frey
Anamorphic widescreen
Dolby Digital 5.1
DTS
Trailer(s)
Featurette(s)
Documentary
Audio commentary
Deleted scenes
Concept art / storyboards
Multi-angle feature
Quote
Narrator (Jean-Luc Godard): Franz is wondering if the world is a dream or a dream the world.

Plot summary
A young woman enlists the aid of two young men, both of whom are in love with her, to commit a perfect crime.

Film review
This innovative, playful and highly influential classic dates back to French New Wave director Jean-Luc's early period as a director, when his films were all about creating a fresch, exciting new cinema unbound by the restrictions of an industry ruled by age-old convention. This freshness remains in full evidence throughout the classic Band of Outsiders (the French title of which served as the inspiration for Tarantino's production company A Band Apart).

This sense of creating groundbreaking cinema goes beyond the famous tricks Godard pulls that explicitly challenge the conventional rules of filmmaking. Pranks like turning off all production sound for a full minute when a conversation reaches an uncomfortable silence or having a character turn to the camera for advice remain amusing, but have little of the impact they must have had four decades ago. Far more impressive is the free-from style of storytelling, during which the three main characters get every opportunity to explore their own personality and their relationships to each other. Unlike in many of Godard's more experimental films, the balance between ironic detachment and genuine interest in his situations and characters is just right, resulting in a film that's as clever as it is endearing.
Version control
Available only for Region 1 on release from the Criterion Collection.

Picture and sound
The fullscreen image is framed at its original aspect ratio of approx. 1.33:1. Amazingly, the low-budget, handheld cinematography has survived nearly forty years in near-pristine form, presented on this disc in a presentation that's close to flawless, with deep, rich blacks and greys and strongly defined detail. Contrast is intentionally low to provide a gorgeously textured presentation.
The mono sound mix is rendered in Dolby Digital 1.0. Its dynamic range is rather limited, but as the track's contents hold little besides post-synched dialogues and recycled, scratchy jazz music, one couldn't reasonably expect anything better than this presentation.

Added value
The absence of an audio commentary track to explain some of this densely layered film's puns, allusions and intricacies is mostly made up for by the Visual Glossary to the film that's provided here. Broken into 31 chapters that can be played together or separately, the Glossary opens up the movie's secrets in a way that is guaranteed to deepen one's appreciation for it. Another excellent inclusion is five minutes of excerpts from the documentary La Nouvelle Vague par elle-meme (The New Wave in its Own Words). In an illuminating interview, Godard sums up the historical context behind the French New Wave.

Somewhat less riveting but still worthwhile is the newly recorded twenty-minute interview with Godard's regular leading lady (and ex-wife) Anna Karina. She talks about how she first met Godard and what her involvement in this film was. Another new interview features legendary director of photography Raoul Coutard, who shot fifteen of Godard's films. He supervised the Criterion transfer himself and in this interview, he discusses the difficulties of shooting a movie outside the confines of a studio with the heavy equipment of that time.

A different kind of supplement is found in the inclusion of Agnes Varda's silent short Les Fiances du Pont MacDonald, a three-minute silent short that also appeared in Varda's 1962 classic Cleo from 5 to 7. Next are two theatrical trailers for Band of Outsiders: the first is Godard's original, the second is the trailer for the 2001 re-release. Finally, an outstanding 16-page booklet includes an essay as well as vintage interviews with Godard about the characters and the making of the film. Menu screens are stylishly designed and subtly animated similar to the box design.

Dan Hassler-Forest

Reviewed: February 18, 2003

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