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Pépé le Moko (1937)

Julien Duvivier
Jean Gabin, Mireille Balin, Gabriel Gabrio, Gilbert Gil, Marcel Dalio
Anamorphic widescreen
Dolby Digital 5.1
DTS
Trailer(s)
Featurette(s)
Documentary
Audio commentary
Deleted scenes
Concept art / storyboards
Multi-angle feature
Quote
text

Plot summary
The Algiers police use notorious gangster Pépé le Moko's Parisian romance as bait to lure him out of the Casbah and arrest him.

Film review
The style, setting and theme of French classic Pépé le Moko were so readily adapted by Hollywood, its influence in world cinema can hardly be exaggerated. Not only was the film swiftly followed by a near-verbatim American remake titled Algiers, but the film's exotic locale, abundanace of eccentric characters and accent on doomed romance came to full fruition with Casablanca and the other imitations that were soon to follow. The character of Pépé himself, played to perfection by the irresistibly suave Jean Gabin, not only became the template for every other ironically detached hero in each romantic thriller up to the 1950s, the concept of the soft-spoken, romantically inclined Pépé character became such a well-known cultural icon - a cliché even - that he also served as the basis for Warner's cartoon skunk Pepe le Pew.
Version control
Available for Region 1 from the Criterion Collection. A French Region 2 release carries similar supplements but (reportedly) an inferior transfer. The Criterion release served as the basis for this review.

Picture and sound
The fullscreen image is framed at its original aspect ratio of approx. 1.33:1. The transfer is one of the most variable I have ever seen. In parts, the restored and cleaned-up print is one of the finest black-and-white DVD presentations ever, with terrific contrast, abundant detail and a flawless source print. Unfortunately, the transfer as a whole however is marred by two major problems: several scenes were damaged beyond repair, exhibiting scratches, debris and extreme graininess, which makes for some distracting transitions. Another odd problem is that many shots are only in focus at the center of the frame, with hugely blurry edges. The end result was clearly the best possible presentation spliced together from the surviving materials of very old picture, but one that remains too distracting to qualify for highest marks for image quality.
The mono sound mix has been nicely cleaned up, offering a clean and mostly hiss-free soundtrack without any major distortion.

Added value
The supplemental matieral on this release is handsomely presented and nicely informative about the production's background, but doesn't quite live up to the high expectations set by more feature-heavy releases. The most glaring absence is an audio commentary, which could have shed a lot more light on many of the film's more incidental pleasures and numerous trivia tidbits surrounding the production.

What we do find here is an interview with Julien Duvivier from 1962 French television, investigating the director's methods and techniques. This ten-minute addition is interesting, but also dated and rather superficial, not nearly as interesting in any case as the video comparison between Pépé Le Moko and its 1938 American remake Algiers, which is almost a shot-by-shot remake. There is also an essay by film critic Michael Atkinson included, along with the film's original theatrical trailer.

The other extras aren't quite as meaty, especially as most are thinned-down versions of longer material. A collection of excerpts from the TV documentary Remembering Jean Gabin gives an interesting glimpse into the life and career of iconic French movie, but does make one hungry for more. Excerpts have also been included from Ginette Vincendeau's BFI Classics book on the film. The author's comments are excellent background material, but would have been preferable as printed inclusion in the booklet rather than these less convenient on-screen text pages. Not a bad collection of extras all told, but not quite up to the Criterion Collection's usual Special Edition standards. The main menu screen is nicely animated, with footage from the film playing in a Casbah-style window.

Dan Hassler-Forest

Reviewed: 2002

Click here for IMDB info on Pépé le Moko.

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