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Wild Strawberries  (1957)

Ingmar Bergman
Victor Sjöström, Bibi Andersson, Ingrid Thulin
Anamorphic widescreen
Dolby Digital 5.1
DTS
Trailer(s)
Featurette(s)
Documentary
Audio commentary
Deleted scenes
Concept art / storyboards
Multi-angle feature
Quote
Alman (Gunmar Sjöberg): Furthermore, Professor Borg, you are accused of some smaller but nonetheless serious offences: indifference, selfishness, lack of consideration.
Isak Borg (Victor Sjöström): No.
Alman: These accusations have been made by your wife. Would you like to meet her?
Isak Borg: But my wife has been dead for many years.

Plot summary
After living a life marked by coldness, an aging professor is forced to confront the emptiness of his existence.

Film review
Whether or not this remarkbale film is Swedish director Ingmar Bergman's greatest achievement (as many would argue), it stands without doubt that it is one of his truly great films. It has inspired many other filmmakers (including Woody Allen, whose excellent Another Woman is basically a remake) and manages to encompass most of its director's regular themes in an accessible, forthright manner. Trifling matters like love, death, the pursuit of happiness and family ties are all dealt with honestly and movingly without ever coming across as overblown or unbearably pretentious.

Much of the film's appeal does lie in legendary Swedish actor/director Victor Sjöström, who came out of retirement to deliver this incredible performance for Bergman. His face may be sternly set, but his hangdog eyes and slowly softening features visualize the story's development beautifully. Some elements (most notably the hitchhikers he picks up and their overly symbolic presence) now seem dated and a little trite, but the film's many beautiful, poignant and unsettling scenes still have tremendous impact and make this one of its director's most enduring classics.
Version control
A Region 2 bare-bones release for the UK is expected later in 2002 from Tartan Video, which holds the UK distribution rights to this title. For now, the Region 1 Criterion Collection edition reviewed here is the only available DVD release.

Picture and sound
The fullscreen image is framed at its original Academy aspect ratio of approx. 1.33:1. The Swedish film industry has always taken great pains to archive and maintain the movies that form its heritage, and the results of this policy are visible in the almost flawless transfer presented here. Some close-up shots exhibit very fine levels of film grain, but the source print is otherwise in pristine condition, with outstanding contrast and rock-solid black levels. A superb visual presentation by any standard.
The monaural sound mix has been cleaned up nicely with hiss reduction technology, and is presented here from the center channel in Dolby Digital 1.0.

Added value
Film historian, Bergman biographer and Criterion commentary regular Peter Cowie provides yet another fine audio commentary track packed to the gills with helpful and informative insights that open up the film to those not yet familiar with Bergman's work and add enormously to the enjoyment of even the biggest fan. His delivery may be a bit studied and dry, more like a lecture than an improvized yack track, but his comments are so helpful in furthering one's understanding and enjoyment that he still effortlessly holds the attention for the track's feature-length duration. There's also a 90-minute documentary on Bergman, that consists almost entirely of unique recent interview material recorded for Swedish TV. Much of the focus is on Bergman's personal life and how this has influenced his career in film and the theater, and it is enhanced by the occasional bit of stock footage and set of archival family photos. It's a revealing portrait, brutally honest and hugely illuminating about the complex man behind several marvelous films. A generous selection of nicely presented production photographs and cast portraits are presented in the still gallery. Finally, a liner essay by Peter Cowie introducing the film is to be found in the DVD's booklet.The main menu screen has some nice subtle animation, and navigation and design are up to the Criterion Collection's usual high standards.

Dan Hassler-Forest

Reviewed: April 14, 2002

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